When History Comes Alive

Fall 2021 — Maybe it’s the season, when the veil between the living and dead is said to be thinner, or maybe I was just in the right place at the right time to enjoy a flash from the past. Either way, as someone who writes historical fiction and likes to research, I find it fascinating when both collide.

So, there we were at the Colonial Faire and Fyfe & Drum Muster at Longfellow’s Wayside Inn in Sudbury, MA, standing in our booth in the field. We were talking shop, selling books, and trying to determine if there was interest in framed illustrations from vintage publications. Such a wonderful collection of people stopped by — many with expertise in music, art, history, and education. Some were authors themselves; others were hoping to be. We talked about our personal book publishing journey and what services we could provide through Sudbury Publishing Group.

     

But imagine my surprise when I looked up and saw a fellow wearing a tee-shirt that said Edes & Gill . This Boston-based company was a one of the earliest printers in Colonial America, publishers of the outspoken Boston Gazette. Today they operate a print shop along the Freedom Trail, where they use plates and processes employed by Paul Revere.

Why this thrilled me, is that I mention Edes & Gill in #ToryRoof, and my main character, Sarah Sutherland (in her former life as Sarah Covington) visits their establishment in the North End and ends up writing for them. If anyone checks, they will find Sarah’s words resemble actual language published at the time. To maximize authenticity, I located a digital archive of the Gazette from the summer of 1766 and positioned my character as writing anonymously, lending to the illusion that the words could be hers.

I soon learned that our booth visitor was Andy Volpe, an artist, engraver, and presenter in his own right, who is affiliated with Edes & Gill. He was gracious enough to pose next to our sign, then did one better: he held up his hand-engraved card with an image of an old printing press.

The serendipity of meeting him convinced me that history is alive and well.

*  * *

In keeping with this realization, I joined a tour of the Mt. Wadsworth Cemetery this weekend, coordinated by the Sudbury Historical Society. It was a wonderfully organized event, featuring reenactors and descendants who told tales of the deceased at their gravesites. We had a town founder (Mr. Goodnow), a Minuteman, a Victorian artist (Florence Hosmer), a Civil War soldier (Mr. Moore), the farmer (Mr. Browne) who had donated his land for the cemetery, and one of my favorites: a socialite named Jerusha Howe who is said to have died of a broken heart and now haunts Room No. 9 at the Wayside Inn. (If you follow me on Facebook at Sutherland Series, you can see videos of her presentation).

What I didn’t expect, was an unexplained blur in my last photo taken at Memorial Park. Was it just sun flare? Movement in the lens? Or something of a more spiritual nature? Whatever caused the aberration, it has fueled my imagination.

 

 

Author Interview by Mary Smith

February 2021 —

How do you launch a writing career? What’s the process for publishing a book? Where can I get help? What is your personal experience?

I posted this Q & A interview on Linked In to answer many of the questions I’m asked in person and in my #WritingCommunity on Twitter @SeriesSarah. By all means, follow me there — but if you’d like a quick run-down, take a read. Hopefully, helpful… and a bit amusing.

Author Interview by Mary Smith | LinkedIn

Summoning the Genie

I hadn’t thought about the literary significance of polishing an artifact. We usually leave patina intact. But as I decided to clean our brass doggie doorstop, which doubles as a nutcracker, I was filled with memories and unanswered questions. With each layer of tarnish that I wiped away, I seemed to recede deeper into my past, remembering this doorstop in my family home, holding open a porch door in summer. I was told it had belonged to my mother’s father, who died when she was young.

Not having met the man, I began to wonder about him and why he would own an item such as this. It seemed somewhat frivolous for a father of five, but perhaps it was a symbol of manliness or economic success. Maybe it was a gift or traded in barter. No one ever said. And in thinking about the acquisition, I realized, I had no idea what this man did to earn a living.

I recall a sepia-toned photo of this person, sporting a moustache, in which he appeared tall and dapper, and I have fond recollections of my petite grandmother telling me how she flirted with him in the “Old Country” by ‘stealing’ his cane, while in a park. But other than that, I know little.

As I polished the surface to a subtle shine, I sensed what rubbing Aladdin’s Lamp might feel like and wondered if I should proceed. After all, that action carries the caution of “getting what you asked for.” Would I uncover details I didn’t want to know or facts that would only lead to more mystery?

A bit of research put me in touch with the realm of genies and jinns (a word I’ve always wanted to use in Scrabble, in its alternate spelling of ‘djinn’.) I guess I never realized the balance between malevolence and generosity in the jinn/genie world.

For me, much more an innocent, this polishing exercise was all good. It was tactile and therapeutic — and it let my mind wander. How did my maternal grandfather come upon this item? When did he get it? How did he use it? And why did my mother end up with it?

My mother had shared certain anecdotes from her youth, but I know there are things she didn’t say. I wondered if this dog could tell me more. After all, generations of family hands had lifted its heft to move it. Someone likely used it as intended, raising its tail to accommodate a nut in the mouth and bringing the handle down with force, to feel and hear the crack of a shell. (In thinking of this, I remember a bowl of walnuts sitting, every fall, on our living room table, accompanied by metal, hand-held nut-crackers and thin, silver plate ‘picks’ … just the kind of detail a writer craves.)

As I let my hand glide over the dog’s tail, sloping and smooth, I wondered what this critter might have seen. World War I? The Great Depression? The daily lives of a large, loud family growing up in New Jersey, among other immigrants, before grabbing a piece of the American Pie?

This dog has been a good companion. He doesn’t bark, doesn’t need to be fed , doesn’t require a walk. Instead, he’s a patient observer and collector of invisible things. He’s solid in composition, strong in stance, and durable in demeanor. Now, more than 100 years later, he’s hardly aged a day. In polishing him, the task peels back time – revealing, with each layer, a story that could be told. Might I tell of a man who came to America on a big ship, with his young bride, having only a few coins in his pocket? Might I write of my grandmother, who lied about being married, so she could get a factory job when they were being given only to men who “needed them.”

But with this dog … the curiosity lingers. Where was it made? What did it cost then? What is it worth now? I can find a few clues about vintage door stops online. Apparently, there is quite a selection of brass doggie nutcrackers on eBay, and according to some articles, many are fake. (Thankfully, this one does not have Phillips’ head screws in the base, and I know the provenance). These doorstop nutcrackers, it seems, command only a modest price, but the worth to me, is not in the mechanics but in its ability to unlock secrets. I notice examples in photographs, though, that are not as refined, with a snout cut short or a hole in the side. This leads me to believe there was considerable thought (and maybe savings) given to this selection by my grandfather or the gift-giver.

As I continue my research, I learn more about nutcrackers in general. Who knew there was a nutcracker museum? Truth is, I’ve never given much thought to nutcrackers at all, but here we are, in Nutcracker season, and ballet troupes are streaming their performances.

Like so many things, choosing to polish this nutcracker now, after years of neglect, is probably just a random gesture, but maybe it’s trying to tell me something. I return the heavy, brass dog, spiffy and clean, to its place of honor near a bedroom door, and each time I pass, its glint catches my eye. Surely this is merely a shiny object from a past I’ll never know, but then again…maybe it does contain a gentle genie trying to get out… a genie bearing creative gifts a writer can use.

 

The Art of Foreboding

 

As Hurricane Isaias barreled up the coast, I rushed outside to pull a towel from the line. The wind was already whipping the swamp maples, spindly and lithe, bending them in the force. The usual, gentle rustle of leaves had turned into a roar that accelerated with each gust.

Acorns were dropping from the oaks, hitting the porch roof like buckshot. Fern fronds ruffled and rearranged, rebellious. I could sense the foreboding – unknown and exciting – as energy swirled around me. It was then that commonplace objects assumed the presence of evil.

A dead bird lay by the bulkhead – gray feathers and a beak, strewn on the mossy ground. Our indoor/outdoor cat had obviously been hunting, and I scolded her as I ran through the house and out the side door to get a large metal dustbin from the garage.

I rounded the house by way of the front and could feel the anticipation. As the skies darkened, the color of our tall garden phlox deepened. A pale, yellow swallow tail butterfly clung to one of the blossom heads, bobbing with it, wings a-flutter. How strange this was. I had seen only one butterfly all summer long, and here was this elegant creature, edged in black, seemingly blown in by the storm. I watched until it lifted off for the back yard.

Following it, I scooped up the dead bird and hurried toward the woods, trying to balance the dustbin without spilling the remains. I became keenly aware of the equally dead branches caught in the trees, potential spears as I ran under them. The clouds were billowing, and I could feel change on my skin, now damp and cool, where hair stood up in anticipation.

As I ran, I noticed other feathers, too. Soft tufts from the underbellies of wild turkeys, caught in the grass. So many feathers all over the yard. When did they get here? I knew our visiting turkeys molted in late summer, but these feathers were profuse. An omen, maybe? I thought of Jack Nicholson in the movie, the Witches of Eastwick, where he was cursed to spit out cherry pits and poofs of down.

I buried the dead bird at the side of the woods and covered it with pine needles, saying thank you as I usually do, for gracing us with its presence. As I retraced my steps, the old pine creaked, sending immature pinecones earthward.

I returned to the house, on edge, but invigorated. The sky was threatening now. All we could do was wait. I knew I had witnessed what writers only hope to achieve – those fleeting moments when characters and readers are caught in suspense and expectation.

The rains came as predicted. First a few splats, then walls of water. We heard a dull thud in the woods and envisioned a large limb falling. A tornado warning scrolled on the TV screen as our cat hunkered down in the porch. We closed the north windows, and then the others, expecting our lights to flicker. But they did not. With all the intensity of a good plot, the storm peaked and subsided.

I ran outside in hopes of catching a rainbow but no luck. The trees were still dripping. A puddle had formed on the brick walkway. The birdbath was overflowing, as were the downspouts, gushing into the garden, escaping their designated path. The grass glistened; my feet got wet. The air was cooler now, fresh. The wind had lessened, and the sound of tires on wet pavement was amplified by the stillness everywhere else. I breathed in deeply. Ozone. Nature’s skill at foreboding was not lost on me.

How Color Infused the Writing of ABSENT

May 6, 2020

When I was a student in communications school, I produced a short film called “Green,” which I copyrighted as part of a series about colors. “Green” conveyed the contrast between the beauty of nature (even before the term was popularized to mean environmental concerns) and the harsh politics of the time. It opens with a young woman finding a green bottle in a park – and wraps up with her blissful world being destroyed by anti-war protests.

Years later, in 2011, I stumbled upon an article about synesthesia, the neural mingling of senses, and was intrigued by the idea that some people could see words as colors. On January 12, 2012, I posted a blog on my since-dismantled website, “Words on the Fly,” that proposed the idea of “reversed synesthesia,” where writers could turn colors into words.

I had just returned from a trip to Aruba, and my head was filled with tropical images. I wrote:

“This building, for example, wasn’t ‘yellow.’ It was sunshine, finches, bananas, and optimism. It was brighter than legal pads, less orange than yolks; it was coreopsis in the desert, daffodils in spring. It was baby chicks and lemon meringue pie.

This building, was not ‘green.’ It was Ireland and watercress, tempera paint and mint jelly. It was the sweater worn by redheads and parade hats. It was lime Jello ™ and Crayons ™.

Nor was this building ‘pink.’ It was cat paws and possum noses. It was the inside of fading roses that climbed on the fence of my childhood home. It was raspberry ice cream and vintage damask. It was ground phlox and wood hyacinths.”

The fascination with synesthesia slept in my mind, until it was awakened several years later when I was writing an article about an academically accomplished family. In interviewing the father, he advised me not to be confused if I saw his daughter’s name spelled two different ways. He explained that she had synesthesia and that the color palette of her birth name was irritating. Consequently, they had legally changed the spelling of her name in recent years. At that point, I knew I had to use the experience.

In the following months, I began writing “for real,” and conceptualized the first three books in The Sutherland Series – about an unusually ‘gifted’ family. Tory Roof became the wife’s story, Silver Line was the son’s story, and Absent was to be the father’s story. After Tory Roof and Silver Line went to market, I focused on Absent. The premise is a bit different, because Carter, the husband, is not naturally endowed with precognition or the ability to traverse time. On the contrary. He is a practical, reserved, partially colorblind, think tank executive, limited by his restraint. To handle a camouflage project at work, he needed help – so I introduced Tracee Green, a synesthete who sees words as colors, under the premise that she could improve his perception.

While you might think there is a typo in her name, there is not. By spelling it this way, I create a bond with Carter whose name shares the same letters (quite by accident as this was never imagined way back when I named him).

Using a structure akin to A Christmas Carol by Charles Dickens, I unravel the plot through 4 cerebral journeys, each of which includes 3 trips. These events intertwine with a present-day storyline that involves, not only the camouflage project, but something disturbing at the grand Victorian where Carter is being counseled.

Perhaps drawing on my early appreciation for green, I open the book in an absinthe café, circa 1905 France, and step back from that to tell how this all came to be. It dawned on me, midway through writing, that there’s an interesting dichotomy here: too much color on one hand (in the synesthesia) and not enough on the other (in the camouflage), or thinking of it another way: color gone wild vs color controlled.

Enjoy the read!

ABSENT ebook is currently on a Summer Sale.

 

 

There’s Always More to the Story

As someone who respects words, I try to avoid phrases like “all” and “always,” but in the case of following a lead, I’m convinced, there’s no end in sight. Journalists and researchers are trained to recognize a good lead, knowing it can spark a story, uncover a wrongdoing, or reveal little-known facts. But sometimes an author finds herself on a path she hadn’t expected.

Such is the case of the many-tentacled story that took place close to my home, thousands of years ago, hundreds of years ago, decades ago, and still, today. The story concerns The Saxonville Mills, in Framingham, MA, developed in the mid-1800s by an entrepreneur named Michael Henry (Harry) Simpson. Simpson lived in Boston with his wife and five children, until she unexpectedly died in 1878.

Four years later, in 1882, at age 72, Simpson married Evangeline Marrs, 45 years his junior, and built her a mansion on a hill in the nearby village of Wayland. The mansion, constructed of brick, wood, and stone, spanned 200 feet and overlooked Dudley Pond, which served as a source for running water. The grounds included a stable and bridle paths because Evangeline liked to ride. Unfortunately, two short years after completion, Simpson died of heart failure, leaving Evangeline a $10 million estate.

But that is only part of the story. Evangeline Marrs went on to lead a fascinating life. A person of means, she engaged in charitable work on behalf of war refugees and Native Americans. She sold real estate and championed women’s rights. She eventually left Wayland, and in 1889, met Elizabeth Rose Cleveland, sister of President Grover Cleveland. Rose had served as First Lady for her unmarried brother and, as a poet and essayist, had become a prominent figure in her own right.

A new book, called Precious and Adored, published by the Minnesota Historical Society Press, details the romance between Evangeline and Rose through a series of love letters, following them on travels that took them around the world.

The connection to Minnesota derives from the fact that in 1890, Evangeline married Bishop Henry Whipple, the first Episcopal Bishop of Minnesota, who shared her interest in humanitarian work. Although he died in 1901, Evangeline remained in Minnesota for nine years following his death. In 1910, she reunited with Rose and together, they moved to Italy. They remain there still, buried side-by-side, in the town of Bagni di Lucca.

But the story diverges again, as good stories do, causing us to wonder what ever became of the mansion built by Mr. Simpson. One source says that Evangeline turned the building over to Simpson’s son, Francis, but does not state how long he maintained it. Other sources describe the building as becoming a “roadhouse” (and worse) at the turn of the century and a speakeasy during Prohibition. Some even claim it was the scene of a shooting.

I have yet to find the dates and changes in ownership which led to the transformation of the property, but one can assume that sometime after the Great Depression, the property was reclaimed and turned into the elegant establishment called “The Mansion Inn,” known affectionately by locals as “The Castle.”

The Wayland Historical Commission provides excellent detail about the post-War heyday of this Inn and its operation well into the 1950s.

The Wayland High School Project does an impressive job in providing photos and anecdotal input, and the Bryant Funeral Home website offers a similar account with additional details and images.

Wicked Local excerpts “Wayland A to Z: A Dictionary of Then and Now, edited by Evelyn Wolfson and Dick Hoyt, and reprinted by the Wayland Historical Society in 2009, which offers additional perspective.

Today, some older Wayland residents still remember The Castle. They tell of a dark, opulent interior, grand mahogany staircase, the statue of Venus in the heart of the Venetian Room, and a magnificent dancehall with a spring-loaded floor. Others talk of wrestlers who trained on the lawns and big bands that came up from New York City to entertain the guests.

There are those who recall childhood memories of sitting on the carved granite lions that graced the estate and being paid ‘real money’ to pull frogs from the pond, since frog’s legs were on the menu. In these quiet outskirts of Boston, the Mansion Inn became a destination for the upper echelon and a source of employment for locals, until a fire erupted on March 24, 1956. Impeded by a spring snowstorm, firefighters were unable to control the blaze that spread from the kitchen and eventually, engulfed the entire structure. The Inn was razed.

Although the owner considered rebuilding, neighbors voted it down as “too noisy.” Excavation began shortly thereafter, and by June 1958, developers were turning the soil. This is where the story takes another dramatic turn. It was then that layers of ash and artifacts began to surface – blades, bowls, and carved stone tools — thought to be of Native  origin. Local children and curiosity-seekers descended and removed these items before archaeologists from the R. S. Peabody Foundation in Andover could preserve the find. Vast knowledge was lost. Thought to be the site of a 3,000 to 4,000-year-old cemetery and crematory, D.S. Byers painfully describes the incident as “The Rape of Wayland.” By December 1959, it was too late. Bulldozers had leveled the land, dropping it 8 feet, to make room for modern housing.

Able to pin the location on a map, I decided to drive to the area which I’ve, unknowingly, passed hundreds of time. I found Mansion Road which took me on a scenic drive around the lake but not quite to the destination.

I retraced my steps and then saw Castle Lake Road, and upon entering, noticed the two stone pillars described in historical accounts. I drove down the road—it was a blustery day – and could feel the chill of history. While I have yet to locate the exact quadrants where the Mansion stood, there is no doubt I was in the right place. As I returned to the main road at the south entrance of the original property, I noticed the gateposts were carved, as documented, with the letters “H” and “Y” to commemorate Harvard and Yale, where Simpson’s sons and son-in-law attended school.

I sat there for a moment, imagining the glitterati arriving in highest style and feeling a sense of sadness for a landmark lost.

Now, I would never have pursued this story were it not for serendipity. I had been running ads at a small movie theatre which apparently caught the eye of a local author. She contacted me and we met at a coffee shop. She descends from prominent New England lineage and is writing historical fiction based on events that occurred in her family. In trying to suggest potential publishers, I remembered the book about Evangeline and Rose and sent her a link.

But there’s one last bit of the uncanny:  As I explore this story, I conjure up romantic nights fueled by liquor and money. I can almost hear the slow jazz and smell the smoke of cigars and cigarettes. There’s perfume in the air and a hint of prime rib. Women laugh. Men boast. This is the good life that makes people forget economic depression and war.

It dawns on me, slowly, that I’ve been here before – not to this exact place in this exact town, but to a similar venue in New York City – a club described in my third book, Absent, which was started long before I heard this story and which will debut shortly. You see, my main character, Carter, on one of his attempts at self-discovery, is regressed to the Roaring Twenties, where he hobnobs with the rich and famous and falls for a woman named Rose.

 

 

 

 

Silver Line: “Outstanding Plot and Appeal” says Writer’s Digest Judge

When I entered Silver Line in the 27th Annual Writer’s Digest Self-Published Book Awards competition, I did so as much for the promised review as the possibility of recognition in “Genre Fiction.”

While I didn’t win any awards, I’m delighted to have received a very encouraging, thoughtful, and insightful assessment, with some decidedly high marks.

On a scale of 1 to 5, where 5 is “Outstanding” and “1” means “Needs Improvement,” Silver Line was rated “5” for plot and story appeal, with the next highest grades for production quality, cover design, and copy editing.

This judge constructively pointed out that I’d do well to lengthen scenes to add character depth and improve pacing, which I will certainly aim to do in future writing. Happily, no grades were below 3.

Although I rely on multiple beta readers per title, and up to 13 editorial reviews, fresh perspective is a wonderful thing.

Judge’s Commentary:

“I thought you did a great job in building two very interesting characters. The personalities were plainly developed and understandable. The characters resonated with me, and I felt that you’d created a fantastic bond between them.”

Judge, 27th Annual Writer’s Digest Self-Published Book Awards

That, for me, was a priority.

I hope to have an opportunity to converse further with this judge about ‘voice’ and ‘style’ as I intentionally wrote Silver Line in a conversational tone, as if telling a tale. To me, this felt relaxed and comfortable, in keeping with the folklore that inspired the long-ago plot. I’m not sure this judge was a fan of that approach, but what do you think?

Please post a comment wherever this book is sold or on sites like Goodreads. (You can enjoy the first chapter of Silver Line on Reedsy Discovery by going to Science Fiction/Time Travel, and if you like it, give it an up vote.) Getting feedback is one way we writers can learn what readers like and strive to produce the most gratifying experience possible.

 

The Plant That Came From Nowhere

October 7, 2019

I’m not sure if writers view the world differently – perhaps seeking deeper meaning or symbolism in simple things – but something happened that made me think:  in my garden, a strange plant sprung up that I didn’t recognize and had not planted.

I took a photo and posted it to a local Garden Exchange group on Facebook, and the first responses suggested either Swamp Milkweed or Rabbit Tobacco, neither of which was familiar to me. Of course, I Googled those names, and have concluded it may be the latter, because there is a very subtle sweetness to the leaves.

However, in my research, I find that Rabbit Tobacco is surrounded by mythology which increases my puzzlement as to why it suddenly appeared. While some sources say Rabbit Tobacco is native to midwestern fields, others say it thrives where rabbits gather. In that I do not have a midwestern field in my front yard and have seen only a couple bunnies in recent years, I’m not sure of either.

In trying to learn more, I watched a YouTube video by an herbalist and spiritual practitioner, who praised the plant for its medicinal properties, but also warned against bringing it into the house without proper spiritual safeguards. Why? Because this plant, also known as “Sweet Everlasting,” is said to connect the worlds of the living and the dead, supposedly because its fragrance ‘comes to life’ when it is dying.

With that bizarre thought, I turned to a website that focuses on Alchemy and learned more about the mystique surrounding this plant. According to this site:

The Latin name is pseudognaphalium obtusifolim, and the plant is well known in Native cultures. The Sioux credit this plant with acting as a “psychic collector” in picking up the good or evil attributes of people near it. The Creek use a decoction of the leaves to wash elders who cannot sleep well. The Cherokee and Menominee (who honor the plant’s power by calling it ‘Owl’s Crown’), smudge their homes with its burning leaves to evict spirits of the dead. The Yuchi and Seminole mix Rabbit Tobacco with eastern cedar to help ghosts move on and to protect babies, new to the world of the living. One modern interpretation of its unusual persona is based on the herb’s role in treating asthma, connecting life (breath) with death (suffocation). Another theory touches on the herb’s reputed ability to treat insomnia, very much a twilight between wakefulness (living) and sleep (a symbolic dying).

What all this has to do with my garden is unclear, but now that I know of the magic surrounding this plant, I eye it warily. I’ve since learned that it is harvested by the Yuchi during the day, while facing east, following a night of fasting and prayer. But I’m not inclined to pick it at all. I’m still trying to figure out how it got there. The closest I can guess is that it either rode in on the wind or hitch-hiked in the soil with some dill that I bought at a local nursery. Unfortunately, the dill didn’t make it, but this unexpected visitor is thriving — with its airy stalks and white flower heads, sitting happily among Liatris, oregano, nasturtium and a random dahlia.

Considering this plant as a writer might, I’ve decided its spontaneous appearance is like an idea which springs up out of nowhere to crystalize a plot or connect one’s characters. That lone idea stands out in a garden of clutter and clichés, attracting passersby and hopefully, rising above the rest.

Fact is, plants do infiltrate my writing and require considerable research when mentioned. The one thing I learned is that, as a writer, you can’t be casual about plants. There are specific seasons in which they bloom, regions in which they grow, differences in species, and dates when they were imported to certain locations. So, in Tory Roof, when I say that Sarah returned to the house in 1765, to find clumps of orange day lilies growing along the field, I had to verify that day lilies were indeed common in Colonial times. And when she makes a poultice using plantain, I had to confirm that it was used to heal wounds. When in Silver Line, I mention Mormon tea growing in the crevices of an arroyo, and Ocotillo bushes reaching skyward in the dry landscape of the southwest, I do so from having seen them firsthand. And when Jared, as a student in Silver Line, sees hydrangeas “morphing from white to late-season pink behind wrought iron fences,” I was able to write that because the ‘snowballs’ in my yard also change color, and I’ve seen the confined plantings in front of Boston brownstones.

Book No. 3, Absent, however, is really testing my botanical knowledge, as my main character, Carter, is treated with some unusual elixirs in a sprawling Victorian manor amidst lush gardens and topiaries. It was important for me to learn about the psychedelic and deliriant properties of many plants and to understand the differences between those of similar appearance — such as the lovely Angel’s Trumpet (Brugmansia) and the more deadly Devil’s Trumpet (Datura) — which reminds me, if you have a green thumb, you’ll feel right at home with this book, due out soon.

 

 

 

 

What Are The Odds of Randomly Meeting Two People Who Document The Supernatural?

September 2019

During the summer, I met two complete strangers, at different events, who share an unusual pastime. Because these encounters seemed more than coincidental, I decided to write about it.

I’ve posted an article to LinkedIn because the subject is relevant to people considering side gigs, but I thought it might also appeal to readers who like to test the boundaries of time and life as we know it.

Click to enjoy.